Beth O’Leary’s ‘The Wake-Up Call’ Is the Comfort Holiday Romance You’ve Been Looking For

Even when you know two characters will end up together, you don’t know the journey they will take to get there.

Even when you know two characters will end up together, you don’t know the journey they will take to get there.

Which is why I’ve never minded romances like The Wake-Up Call by Beth O’Leary. There’s this common belief that stories with predictable endings are bad. It’s not true — and this book proves that.

Izzy and Lucas both work at the same family-owned quiet hotel, and both wish the other did not exist. Every shift they share together seems to end in disaster. Is their rivalry the result of a giant misunderstanding? Maybe! Does it all work out fine in the end? Of course it does! What’s a holiday romance without a happy ending?

The book takes place around the holidays; technically, you can and should read it any time of year you want. But it does put the reader in the holiday spirit. I’m about to go buy marshmallows to go with my hot chocolate and fuzzy socks.

What makes this book truly shine is that it’s fast, light fun. Every now and then you need a book that just makes you smile, root for the love interests when they draw closer to admitting their feelings, and yell at them when they mess it all up. It’s the perfect book to read when you need to escape the real world and dive into a wonderland.

You’ll love this book if you love romance. It will delight you if you’re looking for a book to spend a weekend on the couch with. I’m so sad to say goodbye to Izzy and Lucas, but I’m also glad I got to know them. I wish them all the best in their many happy years together.

Also, is it Christmas yet?

The Wake-Up Call is available now wherever books are sold.


Meg Dowell is the creator of Brain Rush, dedicated to helping writers put their ideas into words, and Not a Book Hoarder, celebrating books of all kinds. She is an editor, writer, book reviewer, podcaster, and photographer passionate about stories and how they get made.

Review: ‘The Art of Desire’ Is a Thrilling Romance to Close Out the Summer

If it’s true what they say — that love only finds us when we stop looking — Alex Walton is doomed.

If it’s true what they say — that true love only finds us when we stop looking — Alex Walton is doomed.

And Phillip Turman is the one who ruined everything.

Actually, he’s the subject of a book she wants to write. With all the money she’ll ever need, why not try something that might make her happy? She never expected Phillip to be that source of happiness, but she’s going to resist him for as long as she can.

Things would be so much easier if she wasn’t unknowingly carrying an object that could get both of them killed.

Selena Montgomery (Stacey Abrams) writes a fast-paced thriller/romance you’ll devour in a weekend (not that this is a bad thing). It’s perfect for anyone who likes their love stories a little steamy, their mysteries quick, and their characters slow to unravel.

This is not usually the type of book I gravitate toward, which is actually the reason I signed on to review it. The “art” of trying books I wouldn’t normally choose for myself has never steered me wrong, and The Art of Desire is no exception. I had so much fun, and I’m sure readers will too.

The Art of Desire is available now wherever books are sold.


Meg Dowell is the creator of Brain Rush, dedicated to helping writers put their ideas into words, and Not a Book Hoarder, celebrating books of all kinds. She is an editor, writer, book reviewer, podcaster, and photographer passionate about stories and how they get made.

‘Hide: The Graphic Novel’ Scared Me, and It Was Delightful

Hide: The Graphic Novel is out now.

What do you get when you take an already scary book and turn it into a visual experience? Absolute terror. And it’s good.

Every writer tackling a horror story or thriller has a bucket from which to pull, mix, match, and merge ideas. Some of these stories weave original threads between common tropes. Others brilliantly bring classic tales into modern settings. For many, it’s a little bit of everything.

From her bucket, Kiersten White unearthed some classics: Amusement park — make it abandoned. Seemingly invisible monster that chooses its prey at random. A mismatched group of seemingly innocent people — make them all different, give them all one thing in common, but don’t reveal that secret too soon.

Then she took things up a notch. And another. And yet another. And as if that weren’t enough, Scott Peterson, Veronica Fish, and Andy Fish turned the book into a graphic novel.

Hide did not need a visual component to pack its punches, but the graphic novel adaption was too scary for me to read alone in the dark. (I read it in the middle of the day, in a room with many windows.) Everyone experiences different media in unique ways, and the more I read graphic novels, the more I discover how much certain stories can benefit from the format. Here you get the same journal entries from the book, but stylized to feel like you’re really reading them along with the characters. You see the world; it leaps from the pages.

(Writing of pages, I know I’m a professional journalist, but can I take a moment to veer from my norm and tell you that this book smells amazing? If for no other reason, pick up your own copy of Hide: The Graphic Novel because it smells like it was just printed yesterday, in a glorious bibliophilical way, and I can’t get over it.)

As someone obsessed with how stories get made, I love that Hide began with a writer and has now sought the help of additional artists to bring it to life in a new way. Readers don’t get to see the process; they only see the product. Flipping through the pages of this book (trying not to get distracted by the aroma), I don’t just imagine the care, attention, and love that went into making this book; I can see it. I can feel it. In a time when writers and editors and illustrators and designers don’t get the recognition we deserve, I have to shine a light on it when I see it — the mounds of effort that must have gone into making something so beautiful.

This book is for you if you like to compare the versions of characters you created in your head to actual images. It’s for you even if you’ve never opened a graphic novel before. It’s for you even if you don’t always enjoy being scared. The story has layers, and all of them are worth unpeeling.

Hide: The Graphic Novel will excite you and intrigue you and maybe it will break your heart a little bit, and that’s why you should get your own copy right now.


Meg Dowell is the creator of Brain Rush, dedicated to helping writers put their ideas into words, and Not a Book Hoarder, celebrating books of all kinds. She is an editor, writer, book reviewer, podcaster, and photographer passionate about stories and how they get made.

To Never Write Again

What if all this time I thought I could do this, believed it when they said I could do this, tried as hard as I could to get good enough to do this, and it was all for nothing?

I stopped writing recently. Not for long — but for long enough that starting again felt like breathing underwater.

This may be normal for many writers, but it isn’t normal for me. I may not write every day like I used to (remember those days?), but writing is part of my job; I don’t always have the freedom to choose whether or not I want to send my words out into the universe.

I stopped because I had to. I also started again because I had to. Sometimes life becomes unbearable and you have to switch into survival mode. And sometimes, writing becomes one of few things that reminds you why you should keep surviving.

Starting that first paragraph — after 20 days without starting anything at all — scared me. It wasn’t restarting, it wasn’t the subject matter, it wasn’t even the possibility that once I started I wouldn’t be able to stop again.

It was, as it always is, that inner voice that hates me.

The one that laughs when I try to take my job seriously. Every single day. It whispers. I can hear it in my sleep.

What if all this time I thought I could do this, believed it when they said I could do this, tried as hard as I could to get good enough to do this, and it was all for nothing?

What are all these words even for?

When you stop busying yourself doing the thing that makes you forget your fears, the terrors sneak back in. I used to be afraid I’d never be a professional writer. Now I fear that I’ve come all this way and it was all wrong and I was never supposed to become this in the first place.

If not that, then what? Who? Why?

Every time I take a writing break I contemplate never ending the break. It’s too hard, it’s too lonely, it’s too stressful. It’s too much.

Except even though it feels hard and lonely and stressful and too much a lot of the time, for me that’s how life feels. If writing were always easy, if living were never challenging, what would be the point?

What scares me the most is that I’m going to tell a really good story someday and it will extend beyond me and outlive me and that feels like too much power yet like being stripped of all the power you thought you had.

Maybe I shouldn’t let the fear of achieving something I may never reach stop me from trying to accomplish something that would make me feel alive.

Fear may actually be the thing that sustains my creative hunger. Everyone has something.

I am afraid.

I will keep writing anyway.

I am afraid because I want something, and to want something is to admit you deserve to dream.


Meg Dowell is the creator of Brain Rush, dedicated to helping writers put their ideas into words, and Not a Book Hoarder, celebrating books of all kinds. She is an editor, writer, book reviewer, podcaster, and photographer. Follow Meg on Twitter for tweets about nonsense and Star Wars.

3 Things to Do Immediately After Losing a Writing Job

At some point throughout your career as a writer, you will face rejection. Sometimes that comes in the form of losing a job or client.

At some point throughout your career as a writer, you will face rejection. Sometimes that comes in the form of losing a job or client. The income was there, and suddenly it isn’t. It’s common. That doesn’t make it easy.

Here’s how to respond when this form of tragedy strikes your writing life.

1. Enter crisis management mode before the adrenaline wears off.

You’re fresh off bad news, and your first instinct might be to shut everything down, go outside, and let the fresh air cleanse your emotions. (Or maybe your go-to response is to climb into bed and hide — whatever works for you.) But it’s not time to fall apart yet!

Though you may be emotional, you’re also running on adrenaline. This is a shock to your system, and your fight-or-flight response is kicking in. Take advantage of it. It may work out in your favor.

Reach out to any contacts you may have that could help you find work. Give your resume a quick check. Write down a few of your next steps, even if you don’t act on them right away.

Have a plan in place. Because this adrenaline will wear off, and if you don’t have a post-crash game plan, it’s going to be that much harder to get back on your feet. Possible, but unnecessarily challenging.

2. Jot down a few ideas for things you might write next.

Again, we’re capitalizing on the “oh no, I just lost a source of income” adrenaline rush here. This is not fun! But the writers who succeed in their respective fields are the ones who have ideas ready to go when they’re ready to crush it.

Before you take the (very necessary) time to sit with your feelings — that part comes next — partake in some good old-fashioned idea generation. Make a list of future pitches, story ideas, even good potential candidates for future submissions.

When you come back to your desk ready to take on the world, you’re going to need a place to start. Give your future self that place now.

3. Give yourself time and space to grieve.

Losing a job, client, gig, income source — whatever your particular loss may be — hurts.

It doesn’t matter how successful you are, how long you’ve been at this game, how tough of a skin you think you’ve generated over time. Not feeling wanted, needed, or appreciated is a real and common human fear. Nobody likes it. And it’s the exact way most people feel when they’re, in one way or another, removed from a writing project.

In order to jump back into the fray — writing is hard enough without the seemingly constant need to compete against other writers for work — you first need to allow yourself time and space to grieve what you’ve lost.

Take some time away from your desk. As much as you can afford. Spend time with your family. Read a good book or two. Instead of your goals, focus on the now. The things that matter the most to you — the things that likely won’t disappear in an instant. These are the reasons you’re working so hard. When you go back to work, remember them.

This may last an evening, a few days, or a week. But then it’s time to get back to writing.

When that time comes, you may not feel ready. Write anyway. When the least ideal outcome is the one we’re facing, the only way through it is to keep going — even when it’s hard.


Meg Dowell is the creator of Brain Rush, dedicated to helping writers put their ideas into words, and Not a Book Hoarder, celebrating books of all kinds. She is an editor, writer, book reviewer, podcaster, and photographer. Follow Meg on Twitter for tweets about nonsense and Star Wars.

To Be a Writer, You Must Do Some Writing

There is one way to be a writer. It’s not as complicated as you might think.

There are a lot of things you learn when you offer advice on the internet. One of them being that the best advice given on the internet is channeled through something like a blog or column — places where people choose to read (or not) your opinion and react accordingly (and this is something you intended to happen).

Possibly the most important thing I’ve learned about dishing out writing advice — sometimes on Twitter, which is always a mistake and never ends well for me — is that an alarming amount of people who fall into the “want to be a writer full-time” category have never published a single piece of writing anywhere. Ever.

The term “publishing” doesn’t hold quite the same meaning it did before the internet became a daily thing for most of us, but if we’re being honest, that change happened long before that. Before, if you wanted to be a published writer, you either had to submit something to a publication or hire an agent to do it for you.

That’s not how it is anymore — evidenced by the fact that what you are reading right now was created by me sitting down at my laptop, dusting off this website’s interior, writing a bunch of words, and hitting “publish.”

If it weren’t for the .com domain I pay for because -BRANDING-, this process would be free and would cost nothing but my time. If I took the time out of my day to list every free site that lets anyone anywhere host their own blog, I’d be here the rest of the day. Dinner would never get made. My kitchen would remain dirty. I might pass out from lack of hydration. You never know.

I’ve been publishing content on the internet since 2009, because high school me wanted to be an author and was obsessed with Meg Cabot, and because Meg Cabot was (is still) an author and had a blog, this Meg also needed one. I can’t say I regret it, though it did take a while for teenage me to understand that not everything needed to be shared online, even on a blog with 2.5 followers. There are a few more of you now, I’ve heard.

I’ve been around a long time, and trust me, I’m not old enough to forget what it’s like to want to write but to fear not the act of writing, but instead the possibility that someone might read it, or worse, have opinions about it.

But because that fear of being read never goes away (sorry to break it to you, but I’m also not), I must offer you yet another nugget of writing advice you’re going to hate. It’s my specialty.

Suck it up and publish your words.

Mean! Awful! How dare I! I know. I’m the worst.

But here’s the thing: So many people say they want to write for a living. But this is quite literally impossible if you never publish a single thing on the internet.

It’s not that you have to write every day (in fact, I strongly recommend not doing that — there’s a reason I stopped posting daily to this website in 2020). It’s not that you have to be published in The New York Times or BuzzFeed or whatever the “look ma, I made it” equivalent of these things are in 2022. You just have to publish something, Preferably many somethings. Good, bad, it doesn’t matter.

It. Doesn’t. Matter.

When I’m reviewing writing applications (with the aim of, yes, hiring writers to write words in exchange for currency — what a concept!), the first thing I look at is not the resume, or the reason someone wants the job (we all know it’s the currency, WE ALL KNOW). The first thing I look at are a candidate’s already published writing samples.

It does not matter to me where these samples are published. I’ve hired writers who have only ever published articles on Medium (free) or their own personal blogs that don’t get much traffic (can also be free). In fact, because I will never forget what it’s like to be in that awful space in life where you want to write but no one will let you do it for money, I make it a point, whenever possible, to recruit writers who aren’t already published in the NYTs or the BuzzFeeds.

Of course high-traffic bylines help. But speaking from experience, the only thing a writer needs to prove to me at first glance is that they can write.

If you have no proof, you have a very low chance of getting hired.

I understand that publishing content for free is hard. It’s draining. It takes a lot of time. And that’s all on top of the terror that often accompanies sending any of your words out into the void.

You have to do it anyway. If you want to write professionally in any capacity, you have to prove to anyone who might be looking that you are worth being hired.

This is not necessarily true for traditional publishing — the majority of manuscripts are not published before they’re sent to agents.

But if your goal is to freelance, or to become a staff writer somewhere, the only experience you have to prove you can do it is the content you publish yourself.

Which means you have to — actually — write — things.

This is challenging. I’m writing this post deep into a writing drought. I do not feel like writing. None of my ideas seem interesting. I have little desire to share my words with anyone, even myself.

Why am I writing anyway? Because I have to. If it weren’t my job, but I wanted it to be, I would also have to.

THAT is the mindset you must adopt if you want to become a writer.

It doesn’t matter what, where, how much, how often.

You must write.

That is, it turns out, the only way to be a writer.


Meg Dowell is the creator of Brain Rush, dedicated to helping writers put their ideas into words, and Not a Book Hoarder, celebrating books of all kinds. She is an editor, writer, book reviewer, podcaster, and photographer. Follow Meg on Twitter for tweets about nonsense and Star Wars.

Rimma Onoseta’s ‘How You Grow Wings’ Showcases the Change That Comes With Leaving Everything Behind

Rimma Onoseta’s HOW YOU GROW WINGS is about two sisters who learn what it takes to grow beyond your scars.

Not everyone is lucky enough to escape their bad situations. Those who do usually can never escape their scars.

Zam and Cheta may be sisters, but their parents are about the only thing they have in common. Not only do they look and act like opposites, but Cheta, the older daughter, bears the worst of her mother’s violence. And she resents Zam, the younger, for being their mother’s favorite.

Everything changes when Zam leaves the village to stay with their Aunt and Uncle. Not long after, Cheta realizes she’s been putting up with her mother’s wrath for too long. And nothing will ever be the same again.

Continue reading “Rimma Onoseta’s ‘How You Grow Wings’ Showcases the Change That Comes With Leaving Everything Behind”

Jaime Winn’s ‘Pull’ Is the Intense Beginning of a Dark, Mysterious Series

Jaime Winn’s ‘Pull’ is the start of a series you’re not going to be able to put down.

Imagine showing up to prom in a dress you technically got on sale prepared for the best night of your life … only to end up fleeing desperately from a possible murder.

Yeah, Mischa isn’t going to have the night of her dreams after all. It doesn’t help that her dreams lately have been more like nightmares, a faceless boy, terror and all.

And then there’s Casey. There’s just something about him, something that seems to be pulling her toward him as if she’s not actually in control of anything at all.

Continue reading “Jaime Winn’s ‘Pull’ Is the Intense Beginning of a Dark, Mysterious Series”

THE MISSING SCOTT CHRONICLES Will Remind You That Grief Always Hurts

THE MISSING SCOTT CHRONICLES is a heartbreaking yet hopeful deep dive into grief.

I’ll never forget the day my grandfather died. But even more vividly, I remember my grandmother’s face the first time I saw her after he was gone.

As I’m writing this, it was eight years ago to the day. I woke up; got dressed to go for a run. My dad stopped me on the way out and told me grandpa was gone. I went running anyway, but half a mile in, I turned back. It all sank in. I physically couldn’t push myself forward anymore. And he wasn’t even my husband, or my dad.

Continue reading “THE MISSING SCOTT CHRONICLES Will Remind You That Grief Always Hurts”

Hello, I Read THE LIES I TELL in One Sitting (and You Should Too)

THE LIES I TELL is next to impossible to put down.

No one likes being scammed. But what if she isn’t who she says she is because she’s trying to get revenge?

I can only speak for myself here. But for years, I’ve judged the quality of a book based on how long it stays in the forefront of my mind after I’ve finished the last page. This system has never failed me. One of my favorite books of all time, Tell the Wolves I’m Home, still enters my mind for a brief moment at least weekly. And it’s been years since I last visited the story.

The Lies I Tell came to me because of a book roundup I wrote for my day job. This is my first Julie Clark novel, but I included The Last Flight in one of my book lists and happily agreed to review this one too.

I didn’t expect to still be thinking about it now. But here we are.

Continue reading “Hello, I Read THE LIES I TELL in One Sitting (and You Should Too)”