How to Create a Cast of Diverse Characters

blog0608

While 90 seconds is the perfect amount of time to refine your writing skills while multi-tasking, it’s not always enough time to explain more complex pieces of writing advice in detail.

As promised, we’re going to expand on some of the tips we shared in last week’s 90 Second Writing Lesson, starting with creating diverse characters in your stories.

The last thing you want to do is create a “cast” that has everything in common and behaves identically. Here are three ways to make sure your characters match people you might meet IRL—people who don’t always have the same way of doing things, but are (sometimes) okay to hang out with nonetheless.

They might even, maybe, turn an otherwise lifeless tale into a story that leaps off the page.

Mix and match their interests and hobbies

Not every character you write about should have the exact same set of interests. If you’re writing about a group of friends, it’s likely they all do have a common hobby—maybe they all like reading John Green. But think realistically. Some of them are also going to like sports, and some won’t. The more contrast you have between them, the more “interesting” your story will be.

One way to appeal to a broader audience is to create characters that more people can relate to. But the main reason you should mix it up is because, later, their varying interests might come in handy (and you don’t even know it yet).

Choose personality types that compliment one another

In your story, you need the quiet one, the obnoxious one, the know-it-all, the extrovert, the I-hate-everything—realistically, that’s what you’ll find if you direct a large mass of strangers into one room and keep them there.

Similarly, your characters are going to know or become acquainted with personalities they can relate to and those they can’t stand. Again, there’s audience appeal here: but also, it’s a good idea to highlight specific traits by providing foils—characters that represent the complete opposite of each other.

If you want to show someone is a total jerk, compliment him with a character that can literally do no wrong. This emphasis makes both of them stand out, and helps the reader pay more attention to whatever relative significance you have in mind.

Give them a common goal to work toward

Often, characters who display varying strengths and weaknesses unknowingly possess the qualifications to “team up” and solve a problem. This doesn’t mean you have to write about a bunch of superheroes to prove a point. Think of Alaska or Paper Towns (if you’ve read them). Those characters didn’t accomplish anything exceptional, but they found a task and went after it—together.

Each character should have something unique, yet equally vital, to contribute to the main plot points of the story.

Let’s say your YA novel takes place toward the end of senior year, and a group of honors students wants to join together to pull off the ultimate senior prank. There’s going to be someone good at logistics and planning, and someone who wants to stand back with the camera and record all the magic as it happens.

No one person can do every job, and even if your characters never become life-long friends, they need each other to make it work.

Simple examples here, but you get the idea. There’s a good reason stories don’t involve just one character. Especially if there’s a narrator, you need other incoming points of view, etcetera to make the story objective.

One person’s take on a series of events isn’t enough. You need other characters chiming in, reacting to things and “foiling,” if need be. It’s an element good stories simply can’t live without. To make a story real, to make it readable and entertaining, your characters all have an important job—and it’s up to you to make sure they do it well.

Image courtesy of Novelty Revisions.

Responses

  1. D.I. Ozier Avatar

    Something to add to your final point: the characters that are working together toward a common goal should have diverse motivations for completing the task as well as diverse ideas about how to go about accomplishing said goal.

    1. Novelty Revisions Avatar

      Yes! So true. Thanks for the add-on :) I struggled with that last point a bit.

  2. Three Things Stopping You from Finishing Your Book (and How to Handle Them) | Novelty Revisions Avatar

    […] often than you might think. We spend months, maybe even years watching our plots develop and our characters change and grow. We fall in love with our art—it’s completely normal. But when the end draws […]

  3. Three Strategies for Writing Relatable Dialogue | Novelty Revisions Avatar

    […] connection between a writer and his or her characters is essential to a story’s life. The connection between two or more characters, and the words they […]

  4. How to Write a Page-Turner | Novelty Revisions Avatar

    […] can be as dramatic as an “I am your father” announcement (anyone?) or as calm as a character reflecting on an event, staring out a window. Stop the reader in the middle of the action to impose […]

  5. Solution Saturday: Which Genre Am I Writing In? | Novelty Revisions Avatar

    […] you’re writing this book, right? It’s going pretty well. There’s a good cast of characters, a few good plot twists, some suspense and a lot of action—it’s definitely something you would […]

  6. Genre Breakdown: Young Adult Fiction | Novelty Revisions Avatar

    […] adult fiction features characters generally between the ages of 12 and 18, and following that age bracket, deals with situations and […]

  7. Can Things Our Characters Do Motivate Us to Do Things, Too? | Novelty Revisions Avatar

    […] happens when you’re reading a book, and a character overcomes an obstacle you’ve been trying to figure a way around for months? You’re inspired. […]

  8. How to Make Sure You’ve Tied Up All Your Story’s Loose Ends | Novelty Revisions Avatar

    […] have a lot of characters, so I’ve listed out the primary ones. Character development is a big part of my story mainly […]

  9. I FINISHED MY NOVEL! Here’s what I’ve learned. | Novelty Revisions Avatar

    […] I wish everything could be the best it could possibly be the first time I write it. I wish all the characters always said the right things. I wish all the pieces always fit together and that I felt confident […]

  10. Solution Saturday: My Characters Have Taken Over (HELP) | Novelty Revisions Avatar

    […] is, we can make all the plans and do as much outlining as we want (or not). But somehow, when we create a cast of characters, we’re signing an unwritten agreement. These characters develop minds of their own, and pretty […]

  11. Why You Don’t Need to Know Everything About Your Characters (Yet) | Novelty Revisions Avatar

    […] you don’t know your characters as well as you want to, in a way, that’s a good thing. Building a story and creating characters is sort of like building a relationship with people who don’t exist. The longer you spend […]

  12. Common Stock Characters and How to Rewrite Them, Part 1 | Novelty Revisions Avatar

    […] when we’re creating the characters in our stories, we unintentionally default to stereotypes, probably because we’re focused more on telling […]

  13. Star Wars Characters Share Their Best Character Sketching Tips | Novelty Revisions Avatar

    […] create a character that has no flaws, or a character that only has flaws. Just like real people, every character should have a diverse mixture of traits. Combining various strengths and weaknesses is what makes a believable, relatable character. Those […]

  14. Are All Your Characters Too Similar? Here’s How to Fix That | Novelty Revisions Avatar

    […] already know that creating a diverse cast of characters is important and how to mix and match their traits. But how do you get to that point? How do you […]

  15. The Most Effective Way to Promote Diversity in Your Stories | Novelty Revisions Avatar

    […] of diverse populations. There’s nothing wrong with being the one to say, “Hey, look how diverse my cast of characters is! Look! Do you see it?” To a […]

Leave a reply to Common Stock Characters and How to Rewrite Them, Part 1 | Novelty Revisions Cancel reply